Jacqueline Shapiro says:

“Aging Artfully” is Amy Gorman’s inspiring and touching rejoinder to the pervasive idea that age is some sort of wasteland. Gorman–who “woke up one morning, age was on my mind,” interviews 12 women who by any measure are very old–85-105–and yet are deeply engaged in the visual and performing arts. She finds that the arts have become so much a part of these old women that “the art and the person have merged,” that in the face of declining strength, it is their art, in fact, that keeps them going. In an unusual touch, Gorman’s heartfelt profiles are complemented with music, songs composed by her colleague Frances Kandl, whose CD is included with the book. Kandl composed these special songs in response to the spirit of seven of the 12 women; they are performed by–the Crones’ Kwartet! Some of the women have always been involved in the arts, others discovered them late in life, and as each tells us her story, we see how the lives of all of them are enriched thereby. These women have a lot to tell us — it’s up to us to hear them.

Rating: 5 / 5

Norman Goldman says:

In Amy Gorman’s Aging Artfully, Dr. Gene Cohen, who has conducted long-term research on creativity and the elderly, is quoted as stating “that seniors who participate in arts activities enjoy better health, visit doctors less frequently and use less medicine, to name a few of the benefits.” If Gorman’s interviews of twelve visual and performing women artists aged 85-105 is any indication, we certainly have to concur with Dr. Cohen’s findings.

Gorman was very intrigued with the connection between longevity and the impact of creative activities on the over-85 age population. As a result of her curiosity, she interviewed twelve women in the San Francisco Bay area who were between the ages of 85 and 105. Moreover, together with the collaboration of her friend and colleague, Frances Kandl, Gorman transcribed these interviews and published them in Aging Artfully, while Kandl wrote seven songs about some of the interviewees. The songs were recorded and appear on a CD that accompanies the book.

The 12 women, who candidly share their life their experiences with Gorman, are all connected in one way or another to the world of art and all were quite capable of recounting poignant and careful examinations of their lives.

This does make for some very fascinating reading as we are introduced to Lily Hearst, a 107- year old pianist, Frances Dunham Catlett, a 97-year old painter, Ann Davlin, a 95 year dancer, Mary Beth Washington, an 85-year old storyteller, Dorothy Takahashi Toy, an 88-year old dancer, Faith Craig Petric, a 90-year old folk singer,Rosa Maria Morales Escobar, an 82-year old singer and folklorico dancer, Grace Gildersleeve, a 94-year old rug braider, Elsie Ogata, a 90-year old Ikebana artist, Stella Toogood Cope, a 90-year old storyteller, Madeline Mason, a 104-year old doll marker and sculptor, and Isabel Ferguson, an 89-year old actor, illustrator, painter and assemblage artist. You probably won’t find most of these women listed in the various Internet search engines, however, what they have to share is quite an eye-opener.

Although, all of these feisty women are unique, exhibiting strong characters, there are some surprising standouts such as Dorothy Takahashi Toy, who had a lifetime of dancing, choreographing and producing shows, and had barely slowed down at the age of 88 when interviewed by Gorman. Imagine a 107-year old, Lily Hearst, who died in 2005, and who was still practising daily on her cherished Schiedmayer grand piano. When Gorman met African American Madeline Mason, who at the time was over a hundred, she greeted her with a cheerful smile and laughingly told her she would be 102 on April 20th, the same birthday as Hitler, and he didn’t like or Jews.”

Gorman’s interview technique is clever and masterful, turning what might easily have wound up as tedious and monotonous conversations into an informative look at the benefits of art that has kept these individuals alive and kicking in their ninth decade and beyond. Her transcriptions of the interviews are plainspoken and direct with a minimum of flourish, an approach that permits her readers to understand why art was so much part of them or as Gorman states: “Their art is now so deeply ingrained in their beings that they cannot separate it from themselves. The art and the person have merged.”

In addition, the interviewees do not shy away from discussing the difficult realities that they may have endured during their lifetime. In fact, they even confront their past sufferings without resorting to complaining or dwelling on unpleasant experiences. In the end the interviews together with the several black and white photos that are thrown in felt like I was having a pleasant rendezvous with elderly neighbours while enjoying a good laugh or maybe shedding a tear or two. And after putting the book to rest, I shook my head in amazement with a new perspective on growing old.

Norm Goldman, Editor Bookpleasures

Rating: 5 / 5